FILTER

“Reproducing one’s own face with complete accuracy is structurally close to impossible. However, there are ways to move closer to accuracy.”

This work approaches the face not as a fixed form, but as the result of emotions that shift according to circumstance. The same facial data passes through different emotional states, such as anxiety, tension, and confidence, and is reconstructed into distinct forms.

These transformations are generated through simulation rather than direct filming. Emotion is not simply expressed; it operates as a systemic condition.

As a result, “my face” does not exist as a single image, but as multiple states that are continuously reshaped by emotion.